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DISCOGRAPHY
ghost in a strange house (2026)- CD + Digital Album (Sawyer Spaces; New York)
“ghost in a strange house” is a collection of compositions rooted in field recordings of the Southeast San Fernando Valley: situating uncanny materials and structures within a deceptively neutral suburban/urban landscape to direct our listening towards “the weird.” Each recording is edited, in dialogue with electronics, and/or processed in some way: a variable approach to probing which turns our attention towards the peculiar hyperlocality of (and my own relationship to) these places.
"Freeze Dry" (2026)- CD + Digital Album (zappak; Tokyo)
“Freeze-Dry” is a piece for three tubas and guitar pedals amplified through bass amps, written for Mason Moy and recorded by Mason Moy. As Leo Okagawa states in the liner notes: "'Freeze-Dry,' blends the sounds of three tubas; layered long tones are processed through pedals to create a rich, drone-like resonance reminiscent of a pipe organ."
el instante centellea (2025)- Cassette Tape + Digital Album (Zoomin' Night; Beijing)
This record is a set of two process pieces which I wrote in late 2023: "and then at last, we shall rest," for violin (performed by Simone Maura), and "el instante centellea," for piano (performed by myself). The sense of an “eternal shimmering present” in both of these pieces: their duration is imbued with potential, as their material directness, oxymoronically, begets their depth; each piece ultimately transcends its formal process.
Lullaby (2025)- Cassette Tape + Digital Album (Searching Records; Joshua Tree)
Lullaby is a piece for solo horn and electronics written in the fall/winter of 2024 for my friend Nick Ginsburg. This is comfort music: not a comfort to pacify, but to reinvigorate. Here, we commit to something earnest and direct: a kernel cradling the promise of transfiguration. A melody, in duty to its singularity, lays its multiplicity bare.
It Burns With A Sweetness (2025)- CD + Digital Album (Harmonic Ooze Records; Tucson)
It Burns with a Sweetness is the culmination of the improvisatory language that Mystic Elevator (Jack Herscowitz (electronics) + Abigail Whitman (voice)) developed from 2021-2025: six studio improvisations recorded in 2024 edited and mixed on late nights. The album maps out the sound worlds we’ve been traversing these past years: ethereal streams, static electricity, and chewed-up slimy gibberish.
Castle Anthrax (2024)- Cassette Tape + Digital Album (Drongo Tapes; Seattle)
free improvisations by Jack Herscowitz (electronics), Matt LeVeque (percussion) and Mason Moy (tuba + pedals); "deep tuba tones accented with pitched percussion & subtle electroacoustic florets form images of landscapes only to sink through the earth & watch the world decay"
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